DFL

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"Without a previous sunset to recall, there can be no sunrise to forget."

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Iritis

Saturday, 6 February 2010 8:30 P GMT+01
  Iritis is a rare, mysterious and potentially serious eye condition. I’ve suffered from iritis intermittently since 1973 – in either eye, but mainly the left. Thanks goodness, so far, never in both eyes at once! I have had it i

Butterflies in the Wind

Friday, 5 February 2010 9:48 A GMT+01
Following yesterday's article on Gunfleet Sands Wind Farm:Findings have just been announced today that moths and butterflies surf the wind; http://news.discovery.com/animals/migrating-insects-butterflies.html They instinctively or deliberately di

Gunfleet Sands Wind Farm

Thursday, 4 February 2010 7:24 P GMT+01
 Where I live.This was the then mysterious beginning of the process (November 2008):  And here today is the end result:

Dawn's Game

Wednesday, 3 February 2010 6:11 P GMT+01
In the old days, each day was indeed so old it could not recall anything with its failing memory. The people who lived during those old days – like me – tried to help each day as it dawned by calling up for it our own memories that we bel

Deal or No Deal

Tuesday, 2 February 2010 6:01 P GMT+01
  The Ligottian Banker on 'Deal or No Deal' certainly had a field day today. He even had his own rat army in the sewers. Noel Edmunds said he had tempered what the Banker said. So who knows to what creative depths of Horror the

"Real-Time Review of 'Weirdmonger' by DF Lewis" by DF Lewis

posted Thursday, 14 May 2009

This is an experiment suggested by a participant on the All Hallows discussion forum and is related to the real-time reviews of various books I've already conducted - as linked from HERE. 

Prime Books (2003)

The real-time review below is in celebration of 'The Intentional Fallacy', a 'literary' theory that I have been studying since the Nineteen Sixties. This theory includes the contention that a book, once posited in the audience arena, is separate from its author, the author in fact becoming just another reader or critic of it.

I shall display below, over the next weeks and months or even years, a story-by-story real-time review by myself of the above book.  Many of the stories were written decades ago and I have genuinely forgotten my intentions, even if I knew them at the time!

 For a few years, the following wording has been displayed on the book's web page (HERE) about the 67 stories:-

<< ORDER OF STORIES SHOULD NOT BE ALPHABETICAL:

Some people have contacted me over the months saying that they find the book too difficult to dissect for reading and they either are about to spend (possibly pleasurable) years reading it or have given up trying!

Some say there is a hidden built-in novel.

Others say that the stories are not separate nor a whole, a fact that is seen by some as off-putting.

***
My advice, for what is worth, is to try the most accessible stories first and work outwards, and these are:
Bloodbone, Bobtail, Dear Mum, Digory Smalls, Find Mine, Gongoozler, The Jack-in-the-Box, Queuing Behind Crazy People, Scaredy and Whitemouth, The Scar Museum, Season of Lost Will, Sponge and China Tea, The Swing, The Tallest King, The Terror of the Tomb, Uncle Absolutely, Welsh Pepper.

***
The next set to tackle: are those not listed above or below (i.e. the bulk of the book).

***
The best stories of all, but not to be read until the above have been read:
Back Doubles, Benoko, Big Ship Little Ship & Brown, A Brief Visit To Bonnyville, The Chaise Longue, The Dead, Egnis, The II King, The Merest Tilt, Small Fry (the best of them all), Small Talk.

***
Those not to be attempted at all (seriously off-the-wall or dubious):
Salustrade, Shades of Emptiness (the worst of all), The Stories of Murkales, Tentacles Across The Atlantic, Todger's Town, Tom Rose, The Weird-monger.
Hope that's helpful. >>

.

I hope, too, today (14 May 09), as I embark on this experimental exercise in reviewing, that you do not consider it a highly pretentious exercise.

I somehow doubt I shall agree with my earlier self's lists of stories above and which to read first!

Inside the book itself are these words in a short author biography: "...there is something impersonal about his fiction, as if nobody wrote them: they simply were and, thanks to this Weirdmonger collection, some of them still are."

===========================================

The first story is effectively 'The Brainwright' (first published in 'Stand' magazine in 1990), and now printed in two parts on each inside flap of the dust-wrapper of the hardback version of 'Weirdmonger'.  This is the only story connected with this book that is re-printed on the internet and you can find it HERE. And read aloud by the author HERE.

 

"...a puddle-poet full of incomprehensibilities."  A 'brainwright' is officially a person employed to assist with the output of one's own brain.  I suggest this story is ironic!  It also has a lot of strange antique words thrown together but I enjoyed its musicality.  Whether it has any deeper significance for the rest of the book remains a moot point, but I think it is worth pointing out in this initial context that the sub-title of the 'Weirdmonger' book is: THE NEMONICON: Synchronised Shards of Random Truth & Fiction. (14 May 09)

--------------------------

Year in brackets is the story's first date of publication.

The Abacus (1995)

The 67 stories are positioned alphabetically in the book. This is officially the first one and conveniently has an anticipatory appropriate opening: "The shop window was crammed with toys and contraptions which would create a devil of a fuss as soon as the batteries were fitted..."

Nostalgia of old shops and purple carbon-paper accountancy and human-like fingers and the puppet-strings of ancestry ... and bobbles of lust that thread what we count upon to what we despair of?

.

Always In Dim Shadow (1991)

A very short fable of abuse made more powerful by ironic realisation of the title's acronym.

"The howling voice of a distant mongrel enhanced the loneliness." (15 May 09)

.

Angel of the Agony (1994) 

I was both impressed and unimpressed when re-reading this one. It shows the worst crimes of my old erstwhile friend Wordy Weird – yet retaining a memorability of vision that transcends those excesses.  After negotiating the actual ghostly location that the story’s I-narrator wordily creates so as to give his existence simply a setting or rationale, the reader learns that it is possible for him magically to make himself vanish – vanish inside a wardrobe, whereby the mirror (on its door), a long almost body-shaped mirror that was due to shape further into a real vampire, shatters from his clumsy slamming of the door during the very magic trick of vanishing.  The mind boggles. (16 May 09)

.

Apple Turnover (1994)

A crisp and sour looking apple that turns out to be mushily sweet at the first bite.  A sauce for pork. It is a vampire story.  It seems meaninglessly improvised to me, but I suspect the earlier DF Lewis would have said it was highly pre-planned.  Loved some of the apple images.  There’s something about the whole story I can’t quite put my finger on.

"As in a game, the more chances captured and taken from the board the more chance of new chances taking their place. Otherwise, the final catch-all chance would catch up on you all the sooner.” (17 May 09)

. 

Back Doubles (1993)

Back Doubles and Rat Runs are shortcuts for rush hour drivers to miss the busy arterials.  This book, I sense, is full of mazy by-passes to avoid meanings for different meanings. This story (the first quite long story in the book) is a (post-Holocaust?) London patchwork of darkly-texted adventures (eschatological and scatological) that the St Paul’s-Cathedral-obsessed protagonist negotiates in a quest for his obsession in-the-stone. After a monstrous vision, it offers alternative endings. And a bus-groupie girl.  It sometimes feels randomly thrown together. At other times, organic.  Whatever infelicities it harbours, I guess  there is nothing quite like it anywhere else!

“There was a girl standing beside the steering-booth, hanging on to the driver’s every word – desperately longing for the casual off-duty hours when all such bus driver groupies would be presented with a Degree in Flirtation.” (17 May 09 - 6 hours later)

.

Benoko (1993)

A geographically-frustrated romance between Benoko and Girl – and a smuggled drug that brings you down from highs so that a makeshift wooden fairground will appear like a wonderful Disney Land by strength of contrast!  This is a much better story than I recall it.  I wonder if the Bus-Driver Groupie Girl just hopped stories from the previous one by ease of the titles’ alphabetical proximity?  Benoko’s name itself, his form and his personality all morph gradually until we reach the story’s spoiler territory (literally)... so mum’s the word.

The batteries have now been fitted at least – but are the toys themselves yet ignited?

 “I could see at least twenty Big Wheels within my own width of vision, churning slowly round  like the vestigial windmills of my dreams.” (18 May 09)

. 

Big Ship, Little Ship and Brown  (1995)

Sex and geographically-morphing islands in a river (cf. Benoko’s morphing geography) and a missing gap (a harbour wall’s missing missing-wall!) and a near senseless imp called Measles who, once he loses his only sense (smell), merely has death as his reserve sense (a vampire with gaps for missing fangs?).  This story (of High Fantasy?) seems to have weighty things to impart in the guise of gaps between weighty things.  It was one of my favourites, I recall, from this book. I can’t imagine being able to write it today.

 “I can’t get men’s shoes out of my mind. Men’s shoes. Men’s shoes. Always men’s shoes until men’s shoes, just the sound and a new meaning attaching to the sound, take on an evil aura.” (18 May 09 - 4 hours later)

. 

Bloodbone (1991)

Judging by independent comments over the years, I guess this is considered to be one of my best (or least bad) stories.  It tells of an inverse (almost religious) search for a black and white B movie actor whose innards (when unravelled as in a striptease) are also black and white.  It has many of my early-nineties hallmarks of Wordy Weird narrating quests generated by pub talk.  It is, however, in my opinion, a terrible story.  If I had my time again, there are many stories I would now omit from a book of my work and many different ones included, such as some unpublished ones I’ve written since and one or two of my novellas or even extracts from my diptych of novels. None of these have been submitted anywhere and reside unread on the internet in a mistaken belief that this was better than putting them in a slush pile somewhere.

I recall choosing stories for this ‘Weirdmonger’ book in a sort of guided random process from the DFL Fiction folder on my then computer (to match the book’s eventual sub-title?).  However, ‘Bloodbone’ does contain a sentence of modestly-inbred modesty that encapsulates my time-distanced-objectified feeling towards DFL fiction – in that, self-evidently, only real writers become real writers:

 “It was the first time I had been there, so my first surprise, in a long line of other surprises, was the recognition of the likes of me by the likes of someone else.” (19 May 09)

. 

Bobtail (1993) 

I’d forgotten how shocking this story is, a sick girl in bed, attended by Dr Wormius and Mrs B, and worried she was being dreamed by the man who appeared to be her Grandfather or dreaming of her Grandfather dreaming about her - obsessed with the word ‘delirium’ and fear against the opening of a sash-window and the dreams at cross-purposes with the fluffy toy she’s in got with her in Bed: Bobtail (from ‘Rag, Tag and Bobtail’, a black and white ‘Watch With Mother’ TV programme I loved as a toddler in the Fifties).  I’m trying to gauge whether any of the stories so far have got things in common.  I suppose they carry things secretly like our bodies do until they suddenly rage or slither forth unwelcomingly (filters can work both ways) through the layers of disbelief that the author has insulated his meanings with. Like the monstrous vision towards the end of ‘Back Doubles’ which gives a lottery of escape with its alternative endings. No such chance of escape, though, in ‘Bobtail’!  Hmmm, unless there is a gap somewhere that went missing, some loophole...?

 “Dr Wormius opened it with some difficulty, ignoring her pleas. He turned away from the window and made as if to push it up with his back. / Or as if he were saddling something, Susan thought.” (19 May 09 - 4 hours later)

THIS REAL-TIME REVIEW IS CONTINUED HERE. (20 May 09)

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